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10 Jul – 11 Jul '26
Riddu Riđđu Festival

Alternative Ways of Organising Relational Paths. Art Beyond Reconciliation. Ideas and Creations from Sápmi and Abya Yala

‘Alternative Ways of Organising’ is a two-day public programme in collaboration with Riddu Riđđu Festival to celebrate the launch of the publication Relational Paths. Art Beyond Reconciliation. Ideas and Creations from Sápmi and Abya Yala.

On the first day of the programme, the editors will introduce the publication, followed by a screening of Tejido del tiempo [Knitting of Time] by Colectivo Cherani, who are represented at Riddu Riđđu by Bethel Cucué, Giovanni Fabián, Francisco Huaroco and Alain Silva Guardián. The film is about the uprising of the P’urhépecha nation in Mexico in 2011, when the community decided to confront the criminal groups that had been operating in the region for many years.

The film has Spanish audio with English subtitles

Following the film screening, Colectivo Cherani will speak about Museo de Sitio [Museum of the Forest], a symbolic place where memory is embodied in matter and reinscribed in the landscape, with the aim of bearing witness to the uprising against organised crime.

Colectivo Cherani’s presentation will conclude with an introduction to their mural that was commissioned by Riddu Riđđu Festival.

The presentation will be held in Spanish with English interpretation

Towards the end of the first day of the programme, the first session of ‘Duodji workshop for tired activists’ will be hosted by Márjá Karlsen and Lara Okafor. The workshop will continue the following day.

About ‘Duodji workshop for tired activists’

Hosted by Márjá Karlsen and Lara Okafor.

As the rights to our own lands and ways of living are constantly under attack, activism has, for many, become a constant part of our lives. Perpetually defending our rights is tiring, but it can also bring joy and community. In this workshop, we will make care packages for ourselves and our community, and we will use duodji, conversation, and writing to imagine joyful, sustainable activism for the future. Duodji materials and pouch patterns will be provided.

RSVP required

Capacity: 15

A note for the audience:
If the workshop is full, Sámi people will be prioritised, especially Sámi people who are queer and/or frontline activists. Next priority will be given to queer people, other minorities, and activists.

About the publication

Relational Paths. Art Beyond Reconciliation. Ideas and Creations from Sápmi and Abya Yala is a result of an artistic research collaboration initiated by OCA, KORO and the Saami Council. The collaboration and publication were prompted by, but with no formal connection to, the Norwegian Parliament’s establishment of a Truth and Reconciliation Commission (TRC) in 2018.

‘Reconciliation’ cannot simply be adopted or acquired through apology, without dissolving existing power relations or initiating structural change. Through research, poetry, conversations, stories, essays and visual proposals, artists and intellectuals from Sápmi and Abya Yala unsettle colonial continuity and propose relational paths forward. The publication aims to strengthen relations between Indigenous territories, communities and peoples, but also with the non-human landscape.

Such a decolonial task calls for a critical (self)reflection and transfer of accountability to non-Indigenous institutions. This implies facilitating platforms for Indigenous cultural expression and examining the structures that maintain destructive colonial patterns.

All texts are translated between English and Spanish. In the heart of the publication, you find a glossary under the title of ‘Worlds in Words’, of some of the concepts and terms the different authors have used in Sámi, Mixe, P’urhépecha, Mapudungún, Maya K’iche’, Aymara/Quechua, Buntu/Zulu and Spanish. These concepts contribute to a deeper understanding of relational worldviews and the broader questions and ideas discussed in this publication.

The sculpture made by Katarina Blind illustrating the front page, reminds us that we need to keep safe and honour the languages, knowledges, worldviews, and values that Indigenous philosophies represent. By weaving ideas and creations from Sápmi and Abya Yala, the publication aims to bridge conversations and worlds that would otherwise stay less connected.

BIO

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Colectivo Cherani
A collective of visual artists from the community of Cherán K'eri, comprising Ariel Pañeda (1966), Francisco Huaroco (1977), Betel Cucué (1990), Alain Silva (1991) and Giovanni Fabián (1993). They link their creative process to their cultural heritage, enriched through customs and traditions, reflecting these in their work, using multiple pictorial techniques and disciplines such as graphics, photography, sculpture, and installation, among others. They draw inspiration for their work from their social, natural and symbolic environment, their relationship with their territory and the nature of the P’urhépecha identity, strengthening a dialogue that links memory and contemporary thought. Noteworthy projects include ‘Uinapikua’ (MUAC, Mexico 2021), Vera List Centre Forum (New School New York 2023), XVI Biennial of Cuenca Quizá Mañana (Ecuador 2023), ‘Pasado de tiempo Historias Indígenas’ (Sao Paulo, Brazil 2023) ‘Reinventing America’ (Franz Mayer Museum, Mexico 2024). ‘Karamu Kucatá’ (Hammer Museum LA 2025).

Lara Okafor Photo credit Chai Saeidi

Lara Okafor

Lara Okafor (they/them) is a writer, editor, technologist, and organiser, using different hats to try and practise better worlds. They have been a facilitator and/or curator of many happenings, usually situated somewhere in the crossroads between Black life, art, abolition, speculative fiction, queerness, and technology. Lara founded and currently runs Scatter Collective, a container for Black+queer people in Norway. They have written a thesis about digital security for queer people of colour, contributed to the Norwegian sci-fi anthology ‘A Line Through Gravity’, and had pieces published in Fett, Billedkunst, TrAP, and Samora Forum. They have also moderated conversations, plus held workshops, and talks at places such as Office for Contemporary Art (OCA), MUNCH Museum, Litteraturhuset Oslo, and Kunstnernes hus; and were Fotogalleriet’s Curatorial Fellow ‘24-‘25.Photo credit: Chai Saeidi

Pressebilde1 Sara Aaroen Lien

Márjá Karlsen

Márjá Karlsen is a Sea Sámi artist and duojár. She works with traditional Sámi practices and is especially interested in the rich language of duodji. Weaving with wool from Sápmi is the backbone of her work. Storytelling is a central part of duodji, and it is also central to Karlsen’s artistic practice.Her work is both a declaration of love for Sámi duodji and a raised middle finger to the Nordic colonial states.Photo credit: Sara Aarøen

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