The Missing One
Curated by Nada Raza
Thursday 27 October 2016 – Sunday 15 January 2017
Opening hours: Wed–Sun: 11:00–17:00
OCA is pleased to present ‘The Missing One’. Taking the tropes and technologies of science fiction as a thematic beginning, this inter-galactic, inter-generational exhibition assembles artworks from across Bangladesh, India, Pakistan and Sri Lanka.
The exhibition, specially produced by OCA for this presentation in Oslo, is part of an institutional concern to bring to Norway the plurality of practices and histories at the forefront of international artistic debates around the world. As such, 'The Missing One' stands within a wider impetus to focus on the South Asia region and beyond, which was initiated through The Critical Writing Ensembles, a project to commission, debate and publish critical writing. Launched in Baroda, India, in 2015, and in Dhaka, Bangladesh, in 2016, the Ensembles invited art writing peers from the region and beyond (including Norway) to discuss comparative art histories and writing practices. In 2018 this focus on South Asia will be followed by a solo exhibition of the seminal Indian artist Vivan Sundaram.
The exhibition’s perspectives are guided by a 1920s painting by Gaganendranath Tagore referencing the science fiction short novel The Story of The Missing One by J.C. Bose. The Missing One was published in 1896, and is thought to be one of the first science fiction stories in the Bengali language. A research scientist, Bose pioneered wireless communication and a crater on the moon bears his name. Tagore’s Resurrection, from which the exhibition departs, looks skyward to imagine a cosmological vortex in the heavens.
In the 20th century, speculative fiction and cinema allowed expression for the wonder and anxieties of the encounter with an ever-accelerating modernity. Future worlds became possible even as hostile aliens, dystopian planets and galactic conflict echoed the real schisms of earthbound life. Exotic references added esoteric appeal – for Arthur C Clarke, the ancient palace complex of Sigiriya in Sri Lanka became a portal and Rama lent his name to a spaceship. The extra-terrestrial or non-human, even in popular film and TV, became a composite of non-western traits.
Re-territorialising these memes, the exhibition speculates whether a South Asian view can be articulated by assembling and repositioning works that speak to the themes and aesthetics of the genre. It troubles the modern view that science and spirituality must remain at odds. The exhibition hopes to connect with counter narratives, such as Afro-futurism; and present opportunities for the reappraisal of the global encounter with the modern and the concept of alienation. Astral journeys, cosmological quests, astronomical explorations, alien encounters, nihilistic visions, retro-futurist experiments and a need to reimagine the future are all addressed by artists who have experienced the wonder, the hubris and excesses of the space age from a slightly different tilt on the universe.
Participating artists include Ronni Ahmmed, David Chalmers Alesworth, Shishir Bhattacharjee, Fahd Burki, Neha Choksi, Iftikhar Dadi and Elizabeth Dadi, Rohini Devasher, Marzia Farhana, Aamir Habib, Zihan Karim, Ali Kazim, Sanjeewa Kumara, Firoz Mahmud, Mehreen Murtaza, Saskia Pintelon, Sahej Rahal, Tejal Shah, Himali Singh Soin, Mariam Suhail and Hajra Waheed.
On the opening night OCA’s Director Katya García-Antón will give an introduction, followed by a tour of the exhibition by Nada Raza. After the tour there will be a talk between artist and academic Iftikhar Dadi, writer and curator Nida Ghouse and exhibition curator Nada Raza.
The first iteration of 'The Missing One' was presented within the Dhaka Art Summit in 2016, with the support of the Samdani Art Foundation.
For more information, please contact OCA’s Communication Manager Tara Hassel.
’The Missing One’, in Oslo, is part of OCA’s continuous programming: Notations. OCA's 'Notations' unfold as a series of programmatic activities – performing, writing, thinking, fragmenting, exhibiting, moving, eating and socialising – that explore the desire for the institution to reflect upon the potential for artistic practice as an alchemical sphere of public action.